Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Jules Emile Saintin
Avistion t o the Glovemaker

ID: 51804

Jules Emile Saintin Avistion t o the Glovemaker
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Jules Emile Saintin Avistion t o the Glovemaker


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Jules Emile Saintin

France 1829-1894   Related Paintings of Jules Emile Saintin :. | Man Playing a Jew s Harp | Helene Fourment and her Children, Claire-Jeanne and Francois | The Painter Bruno Liljefors, | Sunset,Bar Harbor | Die weibe Rose |
Related Artists:
francois sablel
Jean ISABEL and Marie Charlotte BACON. She was married to Jean Baptiste BLANCHETTE on Feb 27 1775 in St. Pierre, Quebec
Francois de Troy
French Baroque Era Painter, 1645-1730 was a French painter and engraver who became principal painter to King James II in exile at Saint-Germain-en-Laye and Director of the Academie Royale de peinture et de sculpture. One of a family of artists, Troy was born in Toulouse, the son of Nicolas de Troy (1608 - 15 September 1684), a painter in that city,and was the brother of Jean de Troy (4 April 1638 - 25 June 1691).Troy was taught the basic skills of painting by his father, and perhaps also by the more worldly Antoine Durand. François de Troy is not to be confused with his son, the portrait painter Jean-François de Troy (1679-1752), who studied under him At some time after 1662, Troy went to Paris to study portrait painting under Claude Lefebvre (1633-1675) and Nicolas-Pierre Loir (1624 - C1679]. A. P. F. Robert-Dumesnil states that this occurred when Troy was aged twenty-four. In 1669, Troy married his master Nicolas-Pierre Loir's sister-in-law, Jeanne Cotelle. In 1671, he was approved by the Academie Royale de peinture et de sculpture. In 1674, he was received into the Academy as a history painter, with a reception piece (morceau de reception) entitled Mercure coupant la tete d'Argus ('Mercury cutting off the head of Argus'). Troy's early known works include tapestry designs for Madame de Montespan, one of the many mistresses of Louis XIV of France, and paintings with religious and mythological subjects. In the 1670s, he became friendly with Roger de Piles, who introduced him to Dutch and Flemish painting,
Edward Robert Smythe
British 1810-1899






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